Edward Dwurnik, PLAC TRZECH KRZYZY W WARSZAWIE, 2007

65 x 81cm - oil, canvas

Signed p.d.: PL. 3-ch Krzyży | E. DWURNIK. 2007
l.d. inscription: FOR SYLWI [sic!] AND MARCIN
on the reverse on canvas: 2007 | E. DWURNIK | >>PL. 3-ch Krzyży<< | NR: XI [ in the frame] -423-3702-.

The painting was created as part of Dwurnik's most famous series Hitchhiking Travels, carried out for decades, in which the artist immortalized views of Polish and European cities.
Here Dwurnik depicts one of the key places on the map of Warsaw - Three Crosses Square - with the centrally located, characteristic rotunda of the classicist St. Alexander Church. The composition is shot in the painter's typical manner: from a bird's eye view, with deliberately disturbed perspective and exaggerated architecture. The urban space is teeming with life - the artist densely fills it with silhouettes of cars, buses and simplified figures of passersby and dogs, building a dynamic, almost cartoonish narrative about the everyday life of the
The capital.


The painting exhibited, mentioned and reproduced, among others, in:: Image reproduced and described:
- Edward Dwurnik Foundation website (www.edwarddwurnik.pl).
♣ Droit de suite: ♣ An additional fee will be added to the Purchase Price based on the right of the artist and his heirs to receive remuneration in accordance with the Law of February 4, 1994 - on Copyright and Related Rights (droit de suite).

Edward Dwurnik (Radzymin 19 IV 1943 - Warsaw 28 X 2018) studied painting at the Academy of Fine Arts in Warsaw (1963-1970), but cites Nikifor as his "master." It was his works, seen for the first time in 1965, that inspired the then third-year student to draw the first works of the "Hitchhiking Journeys" series, which he continued in the following years. In 1972-1978 was created the series "Sportsmen", which portrayed, add bitingly, typical figures of the 1970s. In parallel, from 1975 was created the series "Workers", which culminated in the period of "Solidarity" 1980-1981. For works from this series Dwurnik received the 1981 Art Criticism Award of Cyprian Kamil Norwid. Cyprian Kamil Norwid Art Criticism Award, while for his paintings from the series "Warsaw" (1981), prophetically foreshadowing martial law - he received the Cultural Award of the "Solidarity" underground in 1983. In the 1980s Dwurnik's painting took on expressive and dramatic expression. The paintings created in this decade often had a political meaning, they also took on a historical costume, in one way or another referring to contemporary issues and realities. The series "Road to the East" (1989-91) commemorated the victims of Stalinism, while the series "From December to June" (1990-94) - the victims of martial law. Both the ideological and purely painterly qualities of these works brought the artist great recognition, both at home and abroad. Its expression was the prestigious award of the Coutts & Co Foundation in Zurich (1992). In the 1990s, series are created as a continuation of "Hitchhiking Journeys": "Blue Cities" (from 1993) and "Diagonals" (from 1996), as well as compositions of a new type, such as sea views (the "Blue" series, 1992-93) and the "Enumeration" series (1996-99). The artist has exhibited extensively, has had about 100 solo exhibitions in Poland and abroad, and has participated in numerous national and international exhibitions and festivals, including: the 10th Biennale of Contemporary Art, Menton 1974, Documenta 7, Kassel 1982, the 5th Biennale, Sydney 1985, the 19th Art Biennale, Sao Paulo 1987; the Olympics of Art, Seoul 1988. In parallel with painting, he practiced drawing, collage, printmaking (lithography, metal techniques, xerography, stamps) and applied graphics (illustration, posters for his own solo exhibitions).